These selected artworks reflect moments in Alexandra Mitiku's evolving artworks. She is studying the intersection between migrant experience and consumer capitalism.
Integral to her research is her yearly travels to Korea and Ethiopia, where she collects part of the land for her artworks; and pieces of time for an internal transformation. This method is a way for her to explore generational repair, confronting themes of separation and nresolved grief.
Unique to her paintings are the materialities:
the earthy pigments are rooted in the clays she collects from her travels; in a way building worlds through these borderless soils.
the blue hues are a recent development as she is beginning to also collect indigo paste.
These are tied with ink and charcoal - both made of burnt woods.
by the kármán line, 2025
clay and ink; photo by Johanna Naukkarinen
that's why they don't pick the bones, 2025
clay, indigo, ink ; photo by Johanna Naukkarinen
un/real estate, 2025
part of a multimedia installation
to be in perpetual dawn, 2025
Kihwa-Endale & Sophia Mitiku; installation with audio, sand, mixed media
እስክስታ // Eskista, 2024
clay and charcoal on cotton canvas; acquired by Kiasma Museum of Modern Art
በረካ // Barake, 2024
clay and charcoal on cotton; acquired by Kiasma Museum of Modern Art